Irish
1878-1931
Sir William Orpen Location
Irish painter. He attended the Metropolitan School of Art, Dublin (1891-7), and the Slade School of Art, London (1897-9), there winning the composition prize of 1899 with The Play Scene from Hamlet (Houghton Hall, Norfolk). He became a friend of Augustus John and joined the New English Art Club. From very early years he had been an impassioned student of the Old Masters, and he went to Paris with John in 1899 to see Leonardo da Vinci Mona Lisa (Paris, Louvre). In the following years his perception of their works Related Paintings of Sir William Orpen :. | Young Ireland Grace Gifford | Le Chef de l Hotel Chatham | German Sick,Captured at Messines,in a Canadian Hospital | The Bitte de War;emcpirt | The Knackers Yard | Related Artists:
Calvaert, DenysFlemish, 1540-1619
Flemish painter and draughtsman, active in Italy. In 1556-7 he was inscribed in the registers of the painters' corporation in Antwerp as a pupil of the landscape painter Kerstiaen van Queboorn (1515-78). Calvaert went to Bologna c. 1560, where he was to remain for the rest of his life. There he came under the protection of the influential Bolognini family and entered the workshop of Prospero Fontana the elder. After about two years he left Fontana to work with Lorenzo Sabatini, with whom he collaborated on several pictures, including the Holy Family with the Archangel St Michael (Bologna, S Giacomo Maggiore) and an Assumption (Bologna, Pin. N.). Calvaert's oeuvre is composed almost exclusively of religious works, ranging in size from vast altarpieces to small devotional pictures on copper. This sets him apart from other Netherlandish painters, notably those of the school of Prague, for whom Classical mythology was a constant source of inspiration. His first signed and dated work was Vigilance (1568; Bologna, Pin. N.); thereafter he developed a more original style, as in the Noli me tangere (Bologna, Pin. N.).
Wybrand Hendriks (June 24, 1744, Amsterdam - January 28, 1831, Haarlem), was a Dutch painter and the concierge of the Teylers Museum.
According to the RKD he learned to paint while working for the decorative wall paper factory of J. Remmers in Amsterdam. From 1786 to 1819 he was the second concierge ("kastelein") of the Teyler's Stichting in Haarlem, where he lived at the "Fundatiehuis" as curator of the art collection, with his studio in the old drawing room of Teyler's drawing academy, which had itself been moved to the city hall. He assumed the position in 1785 after his predecessor Vincent Jansz van der Vinne had left in disagreement with Martin van Marum, the head of the fossil and instrument collections. As curator, he managed to purchase an important collection of Italian drawings from the collection of Queen Christina of Sweden in 1790.
He is known for portraits, landscapes, and flower still lifes in the manner of Jan van Huysum.
COTER, Colijn deFlemish painter (b. ca. 1446, Bruxelles, 1538, Bruxelles)